Accompanying the first U.S. museum survey exhibition devoted to contemporary art from Pakistan, this dynamic catalogue provides a groundbreaking look at recent and current trends in Pakistani art. Hanging Fire covers a fascinating range of subjects and media, from installation and video art to sculpture, drawing, and paintings in the “contemporary miniature” tradition. Essays by distinguished contributors from a variety of fields, including Salima Hashmi, Pakistani American sociologist and historian Ayesha Jalal, and the celebrated novelist Mohsin Hamid, place contemporary Pakistani art in a cultural, historical, and artistic perspective.
The book's title, Hanging Fire, alludes to the contemporary economic, political, and social tensions--both local and global--from which these artists find their creative inspiration. It may also suggest to the viewer to delay judgment, particularly based on assumptions or preconceived notions about contemporary society and artistic expression in Pakistan today., 9 x 12 , 17 b/w + 78 color illus.
Salima Hashmi is dean of the School of Visual Arts at Beaconhouse National University in Lehore, Pakistan.
More information on previous exhibition
||Asia Society/Yale, 9/09